PROJECTIVE RUNES ARTIFACS MANIFESTO

   A magic reflection of your Inner voyage.


“The meaning is a stone in the mouth of the signifier”
“The subconscious is a language, without code”. 
Jaques Lacan

A projective rune work is a mutating vocabulary, devoid of its own meanings, whose value emerges from the effort of
mental identification of the reading.  A sort of psychic map.  The projection is a bridge that allows an exchange
between the search for orientation, within the very  particular map,  and the perceptual loss of the alphabetic,
cultural canon, subliminally impressed in us. Until you get to the question, not at all obvious, "who is projecting what?"
A doodle.

“The activity is to rewrite the world rather than its domain:
The "abstract" sign is not crystallized attempting to carry the reality, schematizing it;
instead he is moving, revive through the uniqueness of the reading effort.”      G. Da Re 



  Primordial Materials, Evolved.

   Stone, Wood and Blood.



Stone - Soil - Ceramic

The "tile" is the macroscopic unit that, adding itself with its twins, reaches the final creation of the map.
Classic building/decorative element, has, even clean in its virgin state, a dignity,  a very independent architectural
reality.

Enamel - Brilliant Blood

Like rivers, brilliant, fluid veins that transport the chromatic invaders. Passengers hiding the runic alphabet.

Ink -  Projective Runic Alphabet

“ Fuþark ” was a mixture of Nordic alphabets whose single elment, the letter, the rune was engraved on wood or stone;
never on easily destructible materials.
Their particular shape, the vertical traits spacially, were justified by the veinings of the material in which they were
imprinted, often Wood.

“Here the runic alphabet “Projective”: reinvented in an alchemical orgy of symbols from different
codes, cultures, esoterism, music, immaginific lands chained in time of conscience.”
“An introjection where the concrete strangeness of a point of union makes the code totally alien.” 
 The Oracle





Wood - Skeleton

The wooden framework is the "virgin" base in which the perpendicular paths imprints another segmentation at the
artwork, the opposite effect is not destructive but accelerates the homogeneity of the work.


  Multiple steps of construction / destruction towards the final purpose

    Reinventing the map every step.

 

- First composition 

Ceramic Skeleton & Materic Structure: Raw assembling of the basic tile and drafting of the first chromatic invader.

- Decostruction & First Recostruction

Of the tiles in relation to the new nature between the basic tile and the first chromatic invader.

- Cyclic deconstruction and reconstruction

Drafting of the others chromatic invaders. Decostruction & Recostruction according to the new figures ..an so on..

- Beginning of the Contamination

Of the Runic Alphabet according to all the chromatic invaders. I’is the beginnig of the game between the empty zone
(voids) generated by the lack of runes on the shapes of the chromatic invaders.

- Deconstruction & Reconstruction - final fixing on the wood skeleton and frame.



  The Final Map

    Tell me what you see, when you’re everywhere..


It is the result from the equation between 4 elements - The main tile, The mutant layout of the enamels,
the runic alphabet and its negative in the moments in which it "suspends" himself and empties
the shapes instead of filling them. A Warping scrawl.

The constant communication exchange between the relative opposites generates an impression from the
very concrete esthetic reality. 

The conclusion of the work, surfaceing from inquisitiveness; an interpretative judgment of the final user, an istant
inner journey, a short-circuit of two suggestions with different times. The first, impressive / instantaneous;
the mental flash generated by distance impact. The second, analytical / subliminal, is the inevitable attempt
at logical, mental synthesis, in an attempt to understand the runic alphabet closely.
The average distance is not tolerated.